Format 1
DG Modern
Dramatists Guild modern standard. The default. US Letter, Courier 12pt, 1.5-inch binding margin.
Stage-play editor · early access · 9 element types · 10 format variants
Every other editor is a screenplay formatter with a stage-play template draped over it. Playscript is built from the stage outward: compound act-scene-page numbering, Musical mode with first-class Song Cue and Lyric elements, five school-drama forms as distinct authoring profiles, and the exact Courier geometry of DG Modern, UK, Samuel French, and three more format variants. Cloud real-time collaboration via Yjs. FDX, Fountain, and FTX import and export. Browser-native on Chromebook, Android, and desktop. The editor is in active development. Early access is open to playwrights and drama educators now.
The format engine
Screenplay engines center dialogue and left-justify stage directions. Stage plays do the opposite: dialogue runs full-width, directions indent. Playscript gets this right at the geometry layer, not with a template. And for multi-act scripts, it auto-generates compound page numbers — I-1, II-4-85 — the standard no other editor produces automatically.
Format 1
Dramatists Guild modern standard. The default. US Letter, Courier 12pt, 1.5-inch binding margin.
Format 2
Dramatists Guild classic convention. Traditional header/footer style, same geometry.
Format 3
Older American stage-play format. Character and dialogue indents as per mid-century convention.
Format 4
British standard. A4 page (210 by 297 mm). Wider left binding margin. UK spelling conventions.
Format 5
Acting edition layout as expected by the Samuel French catalog. PDF export matches submission spec.
Format 6
Musical libretto mode. Song Cue element names each number; Lyric elements render italic. Libretto view available.
Format 7
Single-speaker speech form. One character, no scene structure required. Simplified header.
Format 8
Audio-script adaptation: dialogue-forward, minimal blocking, voice-only cues via the (V.O.) convention.
Format 9
Readable flat text. No indentation rules applied. Useful for drafting or reading on small screens.
Format 10
Renders as a standard Fountain screenplay layout for interop with other tools.
Musical mode
Musical mode adds two element types that prose-script editors do not have: Song Cue names or enters a musical number; Lyric carries the sung line, rendered italic and distinguished from spoken dialogue. The libretto view shows only song cues and lyrics, hiding the dialogue for a conductor’s read. Every other tool forces musicals into the same flow as a straight play; Playscript does not.
Names and enters a musical number within the act-scene structure. Acts as a scene bookmark in the navigator.
Sung lines. Renders italic, indented differently from spoken dialogue. Preserved through FTX export with the MUSICAL-CUE token.
School drama forms
The forms school drama programs actually stage — the one-act, the ten-minute, readers theatre, the monologue, the ensemble piece — exist in no existing editor as first-class authoring profiles. Playscript gives each form its own constraint bundle: a soft page cap, a narrator-role convention, a directions-off reading view, and the correct single-act Arabic numbering. Switching forms does not restructure the document; it adjusts defaults and advisory warnings.
No hard cap (advisory warnings above 45 pages)
Standard single-act format. Arabic page numbering. Full element vocabulary.
~10 pages (soft cap, advisory)
Competition and festival form. Soft cap with in-editor warnings as the script approaches the limit.
No cap
Adds the NARRATOR role convention. Directions-off reading view is the default: the page hides stage directions for a clean performance read.
NARRATOR role Directions-off view
No cap
One speaking character. Simplified header. Exactly one Character element enforced by advisory gate.
No cap
Large-cast form. Character-per-scene matrix helps track who appears in which scenes.
Portability and collaboration
Playscript reads and writes three portable formats and collaborates in real time. Nothing is locked to the platform.
A strict superset of the Fountain plain-text format, adding the tokens stage plays need: @DRAMATIS for the cast list, ~ACT~/~~SCENE~~ for compound structure, MUSICAL-CUE for song numbers, /OVERLAP/ for crossed lines, VOICE-ONLY flags. Every Fountain file parses through FTX unchanged. Playscript is the reference authority; the spec is published and open.
Import from and export to .fdx, the widely used screenplay-exchange XML format. Playscript reads .fdx files and writes .fdx that professional screenwriting tools open cleanly. The translation is element-typed, not a text dump.
Native round-trip: every Fountain token a stage play uses (scene headings, character cues, dialogue, parentheticals, transitions, action) survives a write-parse-write cycle with no information loss.
The document is a Yjs CRDT shared over the Hocuspocus sync server. Multiple authors edit simultaneously. Per-author undo. History and revert. No version-lock, no "send the file" workflow. Unlimited co-authors on every script.
The full production path
Playscript is the authoring layer of a larger vertical. A finished script can be submitted directly to Free School Plays — a free-to-perform library where schools pay no royalty, ever. Productions ticket through School Box Office. Authors earn a share of ticket revenue by scale, not guesswork. This pipeline is designed and built in the codebase. It is not yet publicly available; the submission and ticketing interfaces will open in early access alongside the editor.
Step 1
The full editor. Every format, every school form, collab, export.
Step 2
IP declaration, content review, license terms in plain English before you confirm. Non-exclusive; you keep the copyright. Revocable.
Step 3
No per-performance fee. No query letter. Attribution required (author + "Free School Plays"). That is the whole obligation.
Step 4
Any production can ticket through the platform. We take a small percentage. Authors receive a choosable share of that percentage.
The submission marketplace, author payout, and ticketing integration are in active development and are not yet publicly enabled.
Built for schools
Student playwrights are minors. Playscript handles that seriously.
Minor authorship is designed to be guardian-consent-gated at every submit path, fail-closed by default: the gate is built and enforced in code today, and the submission flow it guards is in active development, not yet publicly enabled. No behavioral tracking. No third-party analytics on the writing surface. Content-safety screening is built into that submission path.
Runs on school-issued Chromebooks, Android tablets, and every desktop browser. No install. No app store.
Grammar checking runs on LanguageTool hosted in-network. Student writing does not leave the platform for a cloud grammar API.
Large-print PDF and braille (BRF via liblouis) export are in active development. The editor itself is built on a keyboard-accessible element surface.
Script-level translation via an in-network corridor (no data to external AI services) is planned for the early-access cycle.
You keep your work. Everything you write in Playscript stays yours — you hold the copyright to your script. Submission and licensing are designed but not yet publicly enabled. If and when you choose to submit a script, you grant only the limited license needed to store it, show it to the people you choose, and prepare the formats you ask for — never a transfer of ownership. You can withdraw a script at any time.
Common questions
The editor is in active development and approaching early access. You can book a demo today. We will contact you when early access opens for your use case.
We have not set public pricing yet -- there is no price on this page, and nothing to pay for. Scripts contributed to the Free School Plays library stay free for any school to perform, with no royalty and no per-performance fee. Pricing for the editor, and for School Box Office ticketing, will be shared during early access. Book a demo and we will walk through what fits your program.
Most existing editors are screenplay engines with a stage-play template added later, so stage support behaves like an afterthought. Playscript is built from the stage format outward: the page geometry, compound act-scene-page numbering, Musical mode, and school forms are first-class, not options bolted to a screenplay core. Those editors serve screenwriters well. Playscript serves stage playwrights and drama educators.
Fountain Theatre Extension: a published open superset of the Fountain plain-text format. Every valid Fountain document parses through FTX unchanged. FTX adds the tokens stage plays need that Fountain leaves undefined: act and scene markers, the dramatis personae block, song cues, overlap markers, and voice-only flags. Playscript is the reference authority and publishes the spec openly.
Yes. Playscript imports .fdx (the screenplay-exchange XML that professional tools write) and .fountain plain-text files, and reads its own FTX format. Import is element-typed, not a flat text paste: character cues, dialogue, scene headings, and stage directions arrive as the correct element type, so the format engine can renumber and reformat them the first time you open the file. If your source uses a screenplay layout, you can switch it to any stage-play format variant after import.
Multi-act scripts use a page number that includes the act and, optionally, the scene: I-1 (Act I, page 1), II-4-85 (Act II, Scene 4, page 85). This is the professional standard for full-length stage plays. No other editor generates it automatically; Playscript derives it from the document structure.
The submission, licensing, and ticketing pipeline is designed and built in the codebase, but it is not yet publicly available. It will open alongside the editor in early access. The terms are defined: non-exclusive, author retains copyright, the split is published in plain English before you submit.
Scripts submitted to Free School Plays carry a license that lets any school read, rehearse, print, and perform the work with no royalty, no per-performance fee, and no query letter. Attribution is required — author name and 'Free School Plays' on any program. That is the complete obligation. The author retains copyright and may also submit the same work to a traditional licensing house; the license is non-exclusive.
Student writing stays inside the platform. Grammar checking runs on a LanguageTool instance hosted in-network, so a student's draft is not sent to a third-party cloud grammar service. There is no behavioral tracking and no third-party analytics on the writing surface. Because student playwrights are minors, every path that would share or submit a script is built to be guardian-consent-gated and fail-closed -- and those sharing and submission paths are in active development, not yet publicly enabled. Translation, when it arrives, will run through that same in-network corridor rather than an external AI service.
Playwrights writing for the stage — from debut one-acts to full-length musicals. Drama educators who write original work for their students. Student playwrights in high school and higher education programs. And anyone who wants to submit an original play to the Free School Plays library.
On the conventions calendar
The next confirmed dates for Theatre & Drama programs, taken directly from each organization’s official page -- nothing invented or carried forward from a prior year.
July 22-24, 2026
New York City -- Open Jar Studios (hotel: Hyatt Regency Times Square)
July 29 - August 1, 2026
Greenville, SC -- Hyatt Regency Greenville, 220 Main St
November 12-15, 2026
Aiken, SC -- USC Aiken
Early access
Playscript is in active development. Book a demo to see the editor, discuss your use case, and get early-access priority for your program.